片名: 《胆包天》完整版全集免费观看
类型: 动作片
导演: 托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr
演员: 托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr
上映时间: 1975
发行地区: 其它
百度网友影评:我很喜欢看雷涛剧院提供的《胆包天》这部作品,从这部作品开始预告片开始,就早早的开始关注,对于翁贝托·伦齐 的偏爱源于对生活的热爱,很多人看《胆包天》是因为对这部作品本身的喜欢,而我则是因为导演本人而对这部影评充满了期待！戏里戏外,人世人生,好马配好鞍,好戏需要好演员,《胆包天》这部作品托马斯·米连,约瑟夫·科顿,Maria,Fiore,Mario,Piave,卢西亚诺·卡蒂纳齐,圭多·阿尔贝蒂,费米·贝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,罗萨里奥·博雷利,卢西亚诺·皮格齐,马里奥·诺维里,布鲁诺·迪·鲁亚,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr·作为主要演员,使整部作品有了完美的效果,而其他等人则满足了不同口味观影人群的欲望幻想,看电影电视剧亦如看自己,看人生,作品是一面镜子,其中的表现繁华与真理的新芽都停格在短短的几十分钟里,只有像作品中的演员一样,结合生活才能找到作品所不能给你的人生答案!这部作品不论是手法还是气氛上,都是以人物鲜明的演技来架构全片,不忘初心回归本心!起初我以为《胆包天》动作片更倾向于对人物肖像的刻画,以刻画时代的个体为主体,而《胆包天》开始了剧情人物和记录的手法,到今天过度到动作片,其实算是一种较为水到渠成,比较自然的流程!作品《胆包天》所谓表现和写实之间,也包含叙事,我都有去把握一种“间离”,不是简单的沉浸在个体里然后去共情,而是我希望能通过“间离”,时不时的让观众可能会“跳”出来,去真正意识到一种观看的存在!例如我拍动作片,并不是简单的去捕捉然后表现一个对象,我认为好的动作片是能够发酵出镜头前后的一种人的关系,镜像的关系!由于这部片本身也不是很写实的表达,所以整个来说无论从声和画还是故事本身,都应该做到一种有机的契合! 很喜欢作品《胆包天》一镜到底的运动长镜头,这是我最喜欢的一段,也是我认为本片的最大亮点!我真的很喜欢一镜到底所带来的沉浸感,仿佛跟着主角的步伐一起经历发生的事,这是只有电影这种视听艺术所带来的独特体验! 整部作品《胆包天》剧情虽简单,但却并没有因为时间的限制而显得仓促不完整,虽然故事中仍有细节未解释,但整体下来观感不错!整部电影的亮点在于浑身粘液、触手,酷似菊石与象拔蚌合体的怪兽,与秀色可餐,长相甜美的教授和少女!感谢雷涛剧院(http://www.leitaofamen.net)得以在繁忙之中邂逅这部令我垂涎已久的口碑佳作!
《胆包天》剧情简介:Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
Copyright © 2016-2023 All Rights Reserved
