片名: 《捷克斯洛伐克60年代新浪潮电影二十五面体》完整版全集免费观看
类型: 纪录片
导演: 斯特凡·乌赫尔,米洛斯·福尔曼,Jaromil Jireš,帕维尔·祖拉契克,扬·施密特,埃瓦尔德·朔尔姆,Jan Němec,伊凡·帕瑟,Karel Kachyňa,杨·卡达尔,艾尔玛·克洛斯,奥塔卡·瓦夫拉,维拉·希蒂洛娃,Jiří Menzel,朱拉·亚库比斯克,拉吉斯拉夫·黑尔格,Jiří Krejčík,Eduard Grečner,法兰提塞·维拉席,Karel Vachek,尤拉伊·赫
演员: 斯特凡·乌赫尔,米洛斯·福尔曼,Jaromil Jireš,帕维尔·祖拉契克,扬·施密特,埃瓦尔德·朔尔姆,Jan Němec,伊凡·帕瑟,Karel Kachyňa,杨·卡达尔,艾尔玛·克洛斯,奥塔卡·瓦夫拉,维拉·希蒂洛娃,Jiří Menzel,朱拉·亚库比斯克,拉吉斯拉夫·黑尔格,Jiří Krejčík,Eduard Grečner,法兰提塞·维拉席,Karel Vachek,尤拉伊·赫
上映时间: 2010
发行地区: 其它
百度网友影评:我很喜欢看雷涛剧院提供的《捷克斯洛伐克60年代新浪潮电影二十五面体》这部作品,从这部作品开始预告片开始,就早早的开始关注,对于马丁·舒利克 的偏爱源于对生活的热爱,很多人看《捷克斯洛伐克60年代新浪潮电影二十五面体》是因为对这部作品本身的喜欢,而我则是因为导演本人而对这部影评充满了期待！戏里戏外,人世人生,好马配好鞍,好戏需要好演员,《捷克斯洛伐克60年代新浪潮电影二十五面体》这部作品斯特凡·乌赫尔,米洛斯·福尔曼,Jaromil Jireš,帕维尔·祖拉契克,扬·施密特,埃瓦尔德·朔尔姆,Jan Němec,伊凡·帕瑟,Karel Kachyňa,杨·卡达尔,艾尔玛·克洛斯,奥塔卡·瓦夫拉,维拉·希蒂洛娃,Jiří Menzel,朱拉·亚库比斯克,拉吉斯拉夫·黑尔格,Jiří Krejčík,Eduard Grečner,法兰提塞·维拉席,Karel Vachek,尤拉伊·赫·作为主要演员,使整部作品有了完美的效果,而其他等人则满足了不同口味观影人群的欲望幻想,看电影电视剧亦如看自己,看人生,作品是一面镜子,其中的表现繁华与真理的新芽都停格在短短的几十分钟里,只有像作品中的演员一样,结合生活才能找到作品所不能给你的人生答案!这部作品不论是手法还是气氛上,都是以人物鲜明的演技来架构全片,不忘初心回归本心!起初我以为《捷克斯洛伐克60年代新浪潮电影二十五面体》纪录片更倾向于对人物肖像的刻画,以刻画时代的个体为主体,而《捷克斯洛伐克60年代新浪潮电影二十五面体》开始了剧情人物和记录的手法,到今天过度到纪录片,其实算是一种较为水到渠成,比较自然的流程!作品《捷克斯洛伐克60年代新浪潮电影二十五面体》所谓表现和写实之间,也包含叙事,我都有去把握一种“间离”,不是简单的沉浸在个体里然后去共情,而是我希望能通过“间离”,时不时的让观众可能会“跳”出来,去真正意识到一种观看的存在!例如我拍纪录片,并不是简单的去捕捉然后表现一个对象,我认为好的纪录片是能够发酵出镜头前后的一种人的关系,镜像的关系!由于这部片本身也不是很写实的表达,所以整个来说无论从声和画还是故事本身,都应该做到一种有机的契合! 很喜欢作品《捷克斯洛伐克60年代新浪潮电影二十五面体》一镜到底的运动长镜头,这是我最喜欢的一段,也是我认为本片的最大亮点!我真的很喜欢一镜到底所带来的沉浸感,仿佛跟着主角的步伐一起经历发生的事,这是只有电影这种视听艺术所带来的独特体验! 整部作品《捷克斯洛伐克60年代新浪潮电影二十五面体》剧情虽简单,但却并没有因为时间的限制而显得仓促不完整,虽然故事中仍有细节未解释,但整体下来观感不错!整部电影的亮点在于浑身粘液、触手,酷似菊石与象拔蚌合体的怪兽,与秀色可餐,长相甜美的教授和少女!感谢雷涛剧院(http://www.leitaofamen.net)得以在繁忙之中邂逅这部令我垂涎已久的口碑佳作!
《捷克斯洛伐克60年代新浪潮电影二十五面体》剧情简介:
The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.
The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.
The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.
Part 1 comments on:
■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher
■"Konkurs" ("Audition," 1963) by Miloš Forman
■"Křik" ("The Cry," 1963) by Jaromil Jireš
■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt
■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm
■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec
■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer
■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa
■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos
■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra
■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová
■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel
Part 2 comments on:
■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko
■"Stud" ("Shame," 1967) by Ladislav Helge
■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík
■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner
■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil
■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek
■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz
■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová
■"Pasťák" ("The Decoy," 1968) by Hynek Bočan
■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček
■"322" ("322," 1969) by Dušan Hanák
■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta
■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
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