片名: 《格雷斯第四季》完整版全集免费观看
类型: 美剧
导演: 约翰·西姆,里奇·坎贝尔,赫柏·贝尔德索尔,Steve Broad,詹姆斯·科里根,David Cramer,Darryl Dale,劳拉·埃尔芬斯通,尼克·哈里斯,Brad Morrison,克雷格·帕金森
演员: 约翰·西姆,里奇·坎贝尔,赫柏·贝尔德索尔,Steve Broad,詹姆斯·科里根,David Cramer,Darryl Dale,劳拉·埃尔芬斯通,尼克·哈里斯,Brad Morrison,克雷格·帕金森
上映时间: 2024
发行地区: 英国
百度网友影评:我很喜欢看雷涛剧院提供的《格雷斯第四季》这部作品,从这部作品开始预告片开始,就早早的开始关注,对于布莱恩·凯利 Billie Eltringham 的偏爱源于对生活的热爱,很多人看《格雷斯第四季》是因为对这部作品本身的喜欢,而我则是因为导演本人而对这部影评充满了期待！戏里戏外,人世人生,好马配好鞍,好戏需要好演员,《格雷斯第四季》这部作品约翰·西姆,里奇·坎贝尔,赫柏·贝尔德索尔,Steve Broad,詹姆斯·科里根,David Cramer,Darryl Dale,劳拉·埃尔芬斯通,尼克·哈里斯,Brad Morrison,克雷格·帕金森·作为主要演员,使整部作品有了完美的效果,而其他等人则满足了不同口味观影人群的欲望幻想,看电影电视剧亦如看自己,看人生,作品是一面镜子,其中的表现繁华与真理的新芽都停格在短短的几十分钟里,只有像作品中的演员一样,结合生活才能找到作品所不能给你的人生答案!这部作品不论是手法还是气氛上,都是以人物鲜明的演技来架构全片,不忘初心回归本心!起初我以为《格雷斯第四季》美剧更倾向于对人物肖像的刻画,以刻画时代的个体为主体,而《格雷斯第四季》开始了剧情人物和记录的手法,到今天过度到美剧,其实算是一种较为水到渠成,比较自然的流程!作品《格雷斯第四季》所谓表现和写实之间,也包含叙事,我都有去把握一种“间离”,不是简单的沉浸在个体里然后去共情,而是我希望能通过“间离”,时不时的让观众可能会“跳”出来,去真正意识到一种观看的存在!例如我拍美剧,并不是简单的去捕捉然后表现一个对象,我认为好的美剧是能够发酵出镜头前后的一种人的关系,镜像的关系!由于这部片本身也不是很写实的表达,所以整个来说无论从声和画还是故事本身,都应该做到一种有机的契合! 很喜欢作品《格雷斯第四季》一镜到底的运动长镜头,这是我最喜欢的一段,也是我认为本片的最大亮点!我真的很喜欢一镜到底所带来的沉浸感,仿佛跟着主角的步伐一起经历发生的事,这是只有电影这种视听艺术所带来的独特体验! 整部作品《格雷斯第四季》剧情虽简单,但却并没有因为时间的限制而显得仓促不完整,虽然故事中仍有细节未解释,但整体下来观感不错!整部电影的亮点在于浑身粘液、触手,酷似菊石与象拔蚌合体的怪兽,与秀色可餐,长相甜美的教授和少女!感谢雷涛剧院(http://www.leitaofamen.net)得以在繁忙之中邂逅这部令我垂涎已久的口碑佳作!
《格雷斯第四季》剧情简介:
Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James.
Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe.
This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle).
Commented John Simm:
“I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.”
Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective.
Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m.
Commented Huw Kennair Jones:
“We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.”
Executive Producer Patrick Schweitzer said:
“I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.”
Author Peter James said:
“As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.”
Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios.
Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four.
Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer.
The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years.
In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances.
You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police.
The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.
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